The Songwriting Of Hall & Oates Is

I'm Not Like A 90-mph Fastball Kind Of Guy, But I Can Hit 70 On Radar Gun.

Anything Was Better Than Going To Work. All Those Early Tours Before We Made Any Money Were More Like Vacations. I Don't Think It Was Until 2001 That We Pulled Our Heads Out Of The Sand And Were Like, "what Are We Doing?" I Don't Think Chris Realized He Was In A Band Until 2001. He All Of A Sudden Woke Up One Day And Realized He Was In A Band. He Thought He Was Just Recording My Solo Project. Three Albums Later, We're In Baltimore Trying To Figure Out What To Do With Ourselves.

I Feel Like There's A Lot Of Beauty In The Darkness Of 'narrow Stairs,' But That's Not Really A Place I'm Ready To Go To For A While. I'm Interested In Taking A Different Approach And Having The Next Record Be Different In Tone - I'm Just Not Interested In Making Another Dark, Dark Album.

I've Always Had A Soft Spot For Phil Collins. He's A Great Vocalist.

The Songwriting Of Hall & Oates Is Deceptively Complex. There Are A Number Of Key Changes That Pass You By As You're Listening To The Song Because They're So Seamless And Clever.