... The Monotonous Beauty Of Wealth.

It's True That Every Day Away From Work Requires Two More Days To Get Back Into It.

Ours Was Not A Political Household, When I Was Growing Up.

...let The Emotional Weight Of A Scene Rest On The Dialogue Wherever Possible. This Is The Easy Way To Avoid Overinterpretation, Which Seems To Be What Turns A Scene From Sympathetic To Sentimental.

And Do Not Be Paralyzed. It Is Better To Move Than To Be Unable To Move, Because You Fear Loss So Much: Loss Of Order, Loss Of Security, Loss Of Predictability.

I Am Also Working On A Couple Of Short Stories For Anthologies. This Is New To Me And Im Enjoying It.