The Main Problem Is That The Hollywood

As A General Habit And General Tendency, I Prefer Not To Bog A Piece Down With A Great Number Of Transitory, Contemporary References, Because In The End, I'm Concerned, Not In An Abstract Way, But An Actual Way, With Creating A World Which Has A Universality To It - Even Though What Goes On Is Made Up Of Texture And Detail, Contemporary Detail.

I Really Think People Are Greatly Stimulated And Enriched By Experiencing In Film Just As We Can From Novels And Other Art, Experiencing Things That Resonate With What Our Lives Are About. I Think People Really Want To Know... Want To Share, Want To Have The Stimulus To Think And Care About The Way They Live Their Lives, The Way They Relate To Other People, Their Aspirations, Their Hopes, Et Cetera.

The Whole Thing About Making Films In An Organic Film On Location Is That It's Not All About Characters, Relationships And Themes, It's Also About Place And The Poetry Of Place. It's About The Spirit Of What You Find, The Accidents Of What You Stumble Across.

I Take No Notice Of The Trends. It Has Never Concerned Me At All. My Job Is To Deal With What I Want To Deal With And Reach An Audience By Doing So.

The Reason My Films Work Is Because Every Actor On Set Is Very Secure. They're Able To Fly.