The Human Race Is A Zone Of

...and Every Wednesday The Perfumed Young Lady Slips Me A Hundred-crown Note To Leave Her Alone With The Convict. And By Thursday The Hundred Crowns Are Already Gone In So Much Beer. And When The Visiting Hour Is Over, The Young Lady Comes Out With The Stink Of Jail In Her Elegant Clothes; And The Prisoner Goes Back To His Cell With The Lady's Perfume In His Jailbird's Suit. And I'm Left With The Smell Of Beer. Life Is Nothing But Trading Smells.

The Close-up Has No Equivalent In A Narrative Fashioned Of Words. Literature Is Totally Lacking In Any Working Method To Enable It To Isolate A Single Vastly Enlarged Detail In Which One Face Comes Forward To Underline A State Of Mind Or Stress The Importance Of A Single Detail In Comparison With The Rest. As A Narrative Device, The Ability To Vary The Distance Between The Camera And The Object May Be A Small Thing Indeed, But It Makes For A Notable Difference Between Cinema And Oral Or Written Narrative, In Which The Distance Between Language And Image Is Always The Same.

The People Who Move Through The Streets Are All Strangers. At Each Encounter, They Imagine A Thousand Things About One Another; Meetings Which Could Take Place Between Them, Conversations, Surprises, Caresses, Bites. But No One Greets Anyone; Eyes Lock For A Second, Then Dart Away, Seeking Other Eyes, Never Stopping...something Runs Among Them, An Exchange Of Glances Like Lines That Connect One Figure With Another And Draw Arrows, Stars, Triangles, Until All Combinations Are Used Up In A Moment, And Other Characters Come On To The Scene.

Cities, Like Dreams, Are Made Of Desires And Fears.

The Novels That Attract Me Most Are Those That Create An Illusion Of Transparency Around A Knot Of Human Relationships As Obscure, Cruel, And Perverse As Possible.