[st. Elmo's Fire] It Was Pretty Soon

You Just Have To Learn Certain Technical Things, Like Where The Camera Is, Not To Block People's Light In Your Own, To Hit Your Marks, And That You Do It Kind Of Piecemeal.

In A Good Script, It's Really Like A Treasure Map. You Just Focus On That, All The Answers Are Pretty Much In It.

Young Alienation, Disappointment And Heartache Is All A Part Of The First Real Growing Up That We Do.

I Put Less Stock In Others' Opinions Than My Own. No One Else's Opinions Could Derail Me.

I Wanted To Meet Orson Welles. So I Was Like, Whatever, Somehow Get Me In On This. I'm Able To Get Cast In It, But Orson Welles Worked Alone. He Worked Before All Of Us Worked. He Didn't Want To Work With Anyone Else.