I'd Love To Do A Cop Film

People Say You Never Remember Anybody Who Dies In Movies, And It's True, You Don't. You Don't Even Remember People Who Disappear. Although The Moment That It Happens Might Be Terribly Sad And Moving, Five Minutes Later, If You're Asked To Remember That Person, You Go, "oh Right, Yeah, Yeah!" 'cause You're Just Moving Forward.

Theres A Certain Truth That You Do End Up Making The Same Film Again And Again So If You Vary The Genre You Have A Chance Of Breaking That Cycle.

The Great Thing With Film Is That It Doesn't Have An Ego. It's Just A Film. Everybody That Makes Them Has An Ego, And The Problem With Awards And Stuff Like That Is That It Always Affects The Egos, And Everyone Gets Stained By It In Some Way. And That Can Be Fine And Very Innocent, But It Can Be Horrible As Well.

The Perfect Equation Is Form Equals Content. The Style Of The Film Reflects The Story, And That's What You're Always Aiming For. You're Not Always Necessarily Successful At It, But That's The Ambition That You're Trying To Do.

I'd Love To Do A Cop Film In America. That's A Genre I Absolutely Adore.