Film Is Lies At Twenty-four Frames A

Those Who Cannot Remember The Past Are Condemned To Repeat It Without A Sense Of Ironic Futility.

This Uses A Lens System, Which I Have Used For Years In Various Different Ways, But I've Never Used It In The Context Of An Interview. This Is The Very First Time That I've Done That. It's A Lens Called The Revolution, So It Allowed Me To Interview Elsa [dorfman] And Actually Operate The Camera. Well One Of The Cameras, Because There Were Four Cameras There.

Film Is Lies At Twenty-four Frames A Second.

People Often Trust Low-res Images Because They Look More Real. But Of Course They Are Not More Real, Just Easier To Fake. [...] You Never See A 10-megapixel Photograph Of Big Foot Or The Abominable Snowman Or The Loch Ness Monster.

I've Done Interviews In One Day That Went On For Fifteen, Sixteen Hours. And At A Certain Point, The Control Over What They're Saying Breaks Down; It Becomes Different. It Becomes Really Powerful, And For Me, Real. It Becomes Out Of Control.