You Always Got To Be Happy When

I Don't Want To Be The One To Break It To You, But The Future Ain't That Funny.

I Don't Want To Get Close To People Who Have Secrets That I Don't Know About.

In The Course Of My Movies, The Financing And The Releasing Were Always The Tough Part. Because I Loved The Creative, I Loved The Writing, I Loved The Making Of It. Because I Guess, I Never Had The Giant Blockbuster, I Never Got That Sort Of Ease For The Next One. So The Next One Was Always, "how Am I Going To Do This?" And That Thing Was Sort Of Always The Thing That Made Me A Little Chickenshit To Go Into The Next One. The Writing Of It Was Great And The Making Of It Was Great, But How Am I Going To Release This Thing And Am I Going To Find A Studio?

The Whole World Is Tense. Everybody Gets The International News. Theres Been No American Comedy At All That Even Remotely Addresses The Subject In Any Way. My Goal Isnt To Solve The Worlds Problems. My Character Wasnt Even Able To Do His Assignment. But The Premise Of Wanting To Find Out About Somebody -- Other Than The Stuff That The Cia Will Tell You -- Theres No Hope Unless We Do That.

What Naturally Stops You Making The Film Is There Is No More Money In The Budget. That's Really What It Is. If You Had An Unlimited Budget, If You Were A Billionaire And You Financed Your Own Movies, Then You Can Either Date, Because You Can Sit In An Editing Room For Six Years, Like Howard Hughes, And Never Finish Anything.