With American Orchestras, In Particular, Because They

The Underlying Process In Northern Music Tends To Be Slower And Continuous, Whatever's Happening On The Surface; In Southern Music The Underlying Process Is Always Faster.

The Biggest Difference Between U.s And Most European Big Cities Is That In A Place Like London, For Instance, There Are Five Orchestras, And There's A Bloody Competition Between These Five Orchestras.

As We Watch Tv Or Films, There Are No Organic Transitions, Only Edits. The Idea Of A Becoming B, Rather Than A Jumping To B, Has Become Foreign.

I Think Truth As An Idea Should Be Left To The Philosophers And Perhaps Religious Leaders And Politicians, And Professional People Who Deal With That Idea.

I Think We Still Do Have A Pr Problem In The Sense That These Institutions Portray Themselves Quite Often As A Museum Without The Contemporary Wing. For A Young Cutting-edge Person, Why Would You Get Into That Sort Of Business, Which Is Very Clearly Geared Towards Dead Or Almost Dead People?