Who Among Us Wouldn't Rush Out And

As An Editor, You're Constantly Dealing With The Best Way To Convey An Exchange Between Two People. So When I'm Shooting That, I'm Just Aware In The Back Of My Head What An Editor Might Want. And Also, The Problems Editors Run Into When Trying To Edit Performances - It Helps Me Head That Off At The Pass A Little.

I'm Glad To Always Have That Connection To A Part Of The Country That Doesn't Really Have Anything To Do With What I Do. That Said, There Seems To Be A Lot Of Production Drumming Up In Atlanta These Days. It Would Be Kind Of A Dream Come True To Go Back To Atlanta To Work On A Movie, But We'll See What Happens.

I'm Kind Of Embarrassed By How Quickly I Adjusted To L.a. I Really Love It. It's So Pleasant.

I'm Working On A Script Right About Civil War Re-enactors Who Go Back In Time To The Actual Civil War. It's Kind Of A Big, Crazy Back To The Future Comedy. So, Of Course, It's The Civil War - I Play The Banjo. I Was Just Having A Conversation With One Of The Producers About Some Of The Material And He Was Like, 'you Know, We Have To Work In A Scene Where You Play The Banjo. And I Was Like I'll Get Behind That.

I Lived In New York For 10 Years, I Loved It, I Never Second-guessed It. There Were Definitely Times When I Thought, "i Will Never Leave This Place." And I Kind Of Got Into That Center-of-the-universe Mindset.