[while Voicing Cartoons] You Have To Lose

I Don't Think I Could Form My Writing Into Scripts Or Novels. It's So Sporadic. My Writing's Pretty Poor. I Often Think, "who's This For?" Sometimes It's Impressions Of The Day Or My Life, Or It's Fiction. Sometimes It's About Things I Want To Remember, Or I Try To Write In Really Awful French.

I've Never Been Front And Centre As An Iconic American Character [like In Doctor Strange]. Day To Day, You Know You're Painting On A Very Big Canvas.

There Are Very Specific Demands, Though, In Television, And You Notice The Budget Constrictions. It's The Time Constraint And A Purse Constraint More Than Anything Else That You Notice. But The Ambition Of The Writing And, Hopefully, The Delivery Of It Gets Better And Better Because We Want To Outdo Ourselves To Keep Ahead Of A Very Expectant And Hungry Public.

I Was Very Nervous About Doing The Entertainment Weekly Cover, Because I Thought, "okay, This Is The First Taste, This Is The First Visual Moment." By Then I Obviously Knew A Lot Of The More Iconic Moments In His Comic History, But Still It's Me. It's Not A Drawing, It's Not An Artist; It's Me And I'm Kinda Frightened, But It Seemed To Go Down.

I Remember Very Clearly Someone Saying, 'don't Shake Hands With The Cactus,' And I Thought, 'well, Why Not? What Could Possibly Go Wrong?' Shaking Hands Is A Friendly Gesture.