When You Drop Your Guard In Films,

I Don't Want To Be Like The Actor Who Rehearses Everything In The Bathroom, Then Comes To The Set And Carries On Completely Uninterrupted While The Other Actors Tiptoe Away. I'm So Dependent On Reacting To The Other Actors On The Set, And To The Director. I'm Very Responsive. I React. And I Treasure The Energy That Reaction Gives. I Feed Off That And Work Off That. I Don't Like To Be Too Prepared, No. However We Define Too Prepared, If I Feel It's Getting That Way, Then I'll Back Off. My Line-learning Is Very Special. I Like To Learn The Dialogue Of The Whole Film Before I Arrive.

I Think That You Can Fall Into Bad Habits With Comedy... It's A Tightrope To Stay True To The Character, True To The Irony, And Allow The Irony To Happen.

I Don't Do Anything That Would Ever Come Across As Advice Or Suggestion, But It's Just Part Of A Debate. Like, "i Would Like To Try This," Or "let Me Do Another One With More Stillness, Let Me Emphasize That." Rather Than "i Think You Should Emphasize This, I Think" - You Know, I Don't Impose Choices.

The Many Many Imponderables Come Together When A Film Opens And For All Sorts Of Reasons It May Or May Not Succeed.

The Number Of Choices You Make In The Event That You See On Stage, Those Choices Are Sometimes Largely Determined By The Rehearsal Process And The Experiments That You Go Through And The Choices That You Make In The Rehearsal Room, Not In Front Of An Audience.