When I'm Actually Assembling A Scene, I

The Conversation' Was The First Film I Edited On A Flatbed Machine - A Kem Editing Machine. I've Been Using Final Cut Or The Avid For 12 Years Now, So I Was Interested In Looking At This Film And Seeing If I Could Tell If It Had Been Edited The Old Way.

Most Of Us Are Searching-consciously Or Unconsciously- For A Degree Of Internal Balance And Harmony Between Ourselves And The Outside World, And If We Happen To Become Aware-like Stravinsky- Of A Volcano Within Us, We Will Compensate By Urging Restraint. By That Same Token, Someone Who Bore A Glacier Within Them Might Urge Passionate Abandon. The Danger Is, As Bergman Points Out, That A Glacial Personality In Need Of Passionate Abandon May Read Stravinsky And Apply Restraint Instead.

I Think Every Age Has A Medium That Talks To It More Eloquently Than The Others. In The 19th Century It Was Symphonic Music And The Novel. For Various Technical And Artistic Reasons, Film Became That Eloquent Medium For The 20th Century.

When I'm Actually Assembling A Scene, I Assemble It As A Silent Movie. Even If It's A Dialog Scene, I Lip Read What People Are Saying.

Film Editing Is Now Something Almost Everyone Can Do At A Simple Level And Enjoy It, But To Take It To A Higher Level Requires The Same Dedication And Persistence That Any Art Form Does.