Whatever The Scientists May Come Up With,

The True Story Is Vicious And Multiple And Untrue After All. Why Do You Need It? Don’t Ever Ask For The True Story.

All Fiction Is About People, Unless It's About Rabbits Pretending To Be People. It's All Essentially Characters In Action, Which Means Characters Moving Through Time And Changes Taking Place, And That's What We Call 'the Plot'.

Night Falls. Or Has Fallen. Why Is It That Night Falls, Instead Of Rising, Like The Dawn? Yet If You Look East, At Sunset, You Can See Night Rising, Not Falling; Darkness Lifting Into The Sky, Up From The Horizon, Like A Black Sun Behind Cloud Cover. Like Smoke From An Unseen Fire, A Line Of Fire Just Below The Horizon, Brushfire Or A Burning City. Maybe Night Falls Because It’s Heavy, A Thick Curtain Pulled Up Over The Eyes. Wool Blanket.

One Of The Reasons [william] Shakespeare Is So Endlessly Fascinating Is That You Can Look At That Figure From About 10 Different Angles: Caliban In Shakespeare's Day Was Probably Viewed As A Sort Of Comic, Barbarian Type, But Into The 19th Century There Were Productions Where Caliban Was The Hero. He's A Potential Rapist Of A Minor. Is That A Good Thing? No, It Is Not. On The Other Hand, Prospero's Got Him Cooped Up In A Cave And Tortures Him If He Doesn't Do What Prospero Wants. Is That A Good Thing? No. Shakespeare Doesn't Let You Off Easy.

But In The End, Back She Comes. There's No Use Resisting. She Goes To Him For Amnesia, For Oblivion. She Renders Herself Up, Is Blotted Out; Enters The Darkness Of Her Own Body, Forgets Her Name. Immolation Is What She Wants, However Briefly. To Exist Without Boundaries.