What I've Discovered And Really Confirmed To

It Is Photography Itself That Creates The Illusion Of Innocence. Its Ironies Of Frozen Narrative Lend To Its Subjects An Apparent Unawareness That They Will Change Or Die. It Is The Future They Are Innocent Of. Fifty Years On We Look At Them With The Godly Knowledge Of How They Turne Dout After All - Who They Married, The Date Of Their Death - With No Thought For Who Will One Day Be Holding Photographs Of Us.

Dying In Unfamiliar Surroundings Miles Away From Home, It Cannot Possibly Be Good. There Is A Great Sadness About That I Think.

I Actually Find Novels That Are Determined To Be Funny At Every Turn Quite Oppressive.

I Watched Our Friends' Wary, Intelligent Faces Droop At Our Tale. Their Shock Was A Mere Shadow Of Our Own, Resembling More The Goodwilled Imitation Of That Emotion, And For This Reason It Was A Temptation To Exaggerate, To Throw A Rope Of Superlatives Across The Abyss That Divided Experience From Its Representation By Anecdote.

Daylight Seemed Then To Be The Physical Manifestation Of Common Sense.