To Make Up A Dance, I Still

The Practice Mirror Is To Be Used For The Correction Of Faults, Not For A Love Affair, And The Figure You Watch Should Not Become Your Dearest Friend.

Great Artists Can Be Uncertain. Of Course They Are While Strugggling To Find Solutions. Tolstoi's Scripts Are Almost Indecipherable. Emily Dickinson Provided Four Or More Alternates For Every Word; Beethoven Wrestled With Endings To The Point Of Exhaustion; In Our Day Jerome Robbins And His Lack Of Decision Are A Byword In The Dance Profession. But All Of These Knew Very Well What They Did Not Want, And What They Did Not Want Was The Current Coin, The Well-worn Usage. What They Wanted Was Something Newly Experienced, And Therefore Unknown And Hard To Attain.

We Can't Stand Silence, Because Silence Induces Thinking. And If We Thought, We Would Have To Face Ourselves.

Dance In The Body You Have.

The Creative Urge Is The Demon That Will Not Accept Anything Second Rate.