There's Something Incredibly Tragic About Kong. You

I Don't Like Putting Glasses On And Watching 3d. I Don't Mind Wearing Glasses, But It's The Dimness Of The Light And The Fact That You're Filtering The Light. Whatever 3d Process Is Being Used Is A Filtration Of Light, Which Means It's Blocking Some Of The Light.

I Think That You Can Treat A Classic Like A Museum Piece -stuffed And Mounted- Or You Can Make It A Living, Breathing Narrative That Is Unfolding Right Then And There.

[while Shooting Close-ups] You Study Real Eyes, You Study How The Light Reflects In Them, You Study The Back Of The Eye, You Study The Way Irises Reflect Emotion. You Go Into Great Scientific Detail.

To Me, Fantasy Should Be As Real As Possible. I Don't Buy Into The Notion That Because It's Fantastic, It Should Be Unrealistic, Because I Think You Have To Have A Sense Of Believing The World That You're Going Into.

I Think That's The Job Of A Director Really, To Sort Of Funnel All The Creativity Into One Centralized Point Of Being.