There Is No Suspense In Inevitability.

Suffice It To Say, There Are Some Very Big Ideas In Prometheus And, Therefore, It Covers A Very Vast Expanse Of Time.

Some Of The Things I Love The Most Are When A Writer Or A Visionary Takes On Sort Of An Iconic Character And Then Spins It. Like With Frank Miller, Batman Was This One Thing For Basically Forty Years, And Then Frank Miller Came Along And Said He Can Also Be This Other Thing. And Christopher Nolan Came Along And Said He Can Also Be This Other Thing. The Idea Of Taking Iconic Comic Book Characters Or Superhero Characters Or Mythic Characters And Subverting The Genre Or Coming Up With A New Idea Is Something That's Really Interesting To Me.

I Place A Higher Value On Work Ethic Than Talent, Because, In Certain Areas, You Just Need To Cast, You Need To Cast Actors With Talent, You Need To Hire Directors With Talent, But I've Worked With Very Talented People Who Have A Poor Work Ethic, And The Outcome Is Less Desirable Than People Who Are Less Talented And Have An Incredible Work Ethic.

I Look At Myself More As A Storyteller Than A Screenwriter, As Pretentious As That May Sound, But That's What Really Attracts Me To Ted Talks. For Me, The Really Effective Ones Are Being Presented By Expert Storytellers.

It's Just Immensely Frustrating That Things Like Breaking Bad Get Made That Are Kind Of Perfect! There's Not Even A Bad Episode Of Breaking Bad, Let Alone A Bad Season. I Want To Be Able To Say, "hey Everybody, It's Impossible To Make A Show Where Every Episode Is Great!" No It's Not.