The Ventoux Is A God Of Evil,

It Is As If The Photograph Always Carries Its Referent With Itself, Both Affected By The Same Amorous Or Funereal Immobility, At The Very Heart Of The Moving World: They Are Glued Together, Limb By Limb, Like The Condemned Man And The Corpse In Certain Tortures; Or Even Like Those Pairs Of Fish (sharks, I Think, According To Michelet) Which Navigate In Convoy, As Though United By An Eternal Coitus.

Tout Ce Qui Est Anachronique Est Obsce' Ne. Everything Anachronistic Is Obscene.

To Eat, To Speak, To Sing (need We Add: To Kiss?) Are Operations Which Have The Same Site Of The Body For Origin.

Frontiers Are Physical As Well As Symbolic Constructions

Whereas The Work Is Understood To Be Traceable To A Source (through A Process Of Derivation Or "filiation"), The Text Is Without A Source - The "author" A Mere "guest" At The Reading Of The Text.