The Thrill Of Coming Home Has Never

I'll Generally Write Out Every Scene That's In The Film On A Couple Of Pieces Of Paper, Just With A Little One-line. And Then I Can Scan It A Bit And Go, 'this First Third Of The Film, Generally, I'm Kind Of Calm.' Then I Might Do Something On One Piece Of Paper That Just Relates To The Energy Of The Character.

You Can Have A Great Time On A Film And The Chemistry Can Seem Great But Then You Look At The Finished Film And It Just Doesn't Quite Gel, Something Doesn't Quite Work.

If I'm Exhausted, Physically And Particularly Emotionally, I Can't Tell What's Good And I Can't Tell What's Bad And I'm Useless.

If It's A Great Role Or A Great Film, Then You're Happy To Be A Part Of It.

I Do Have Aspirations When It Comes To Directing, I Suppose, But In A Sort Of A Vague Way. It Would Probably Come About If I Found A Project That I Really Felt Passionate About.