The Novel Is A Meditation On Existence

The Young Man Called The Waiter And Paid. Then He Got Up And Said To The Girl: 'we're Going.' Where To?' The Girl Feigned Surprise. Don't Ask, Just Come On,' Said The Young Man. Is That Any Way To Talk To Me?' It's The Way I Talk To Whores.

The Characters In My Novels Are My Own Unrealized Possibilities. That Is Why I Am Equally Fond Of Them All And Equally Horrified By Them. Each One Has Crossed A Border That I Myself Have Circumvented. It Is That Crossed Border (the Border Beyond Which My Own "i" Ends) Which Attracts Me Most. For Beyond That Border Begins The Secret The Novel Asks About. This Novel Is Not The Author's Confession; It Is An Investigation Of Human Life In The Trap The World Has Become.

She Knew That There Were All Kinds Of Ways To Make A Conquest And That One Of The Surest Roads To A Woman's Genitals Was Through Her Sadness.

Yes, It Was Too Late, And Sabina Knew She Would Leave Paris, Move On, And On Again, Because Were She To Die Here They Would Cover Her Up With A Stone, And In The Mind Of A Woman For Whom No Place Is Home The Thought Of An End To All Flight Is Unbearable.

High Culture Is Nothing But A Child Of That European Perversion Called History, The Obsession We Have With Going Forward, With Considering The Sequence Of Generations A Relay Race In Which Everyone Surpasses His Predecessor, Only To Be Surpassed By His Successor. Without This Relay Race Called History There Would Be No European Art And What Characterizes It: A Longing For Originality, A Longing For Change. Robespierre, Napoleon, Beethoven, Stalin, Picasso, They're All Runners In The Relay Race, They All Belong To The Same Stadium.