The Good Life Is One That's Artistically

I Believe In Taking What Happens As Inevitable.

I Think Of Doing A Series As Very Hard Work. But Then I've Talked To Coal Miners, And That's Really Hard Work.

When I Direct And Have To Look At Filmed Scenes Of Myself, I Suck.

My Wife And My Three Kids And My Grandchildren Are My Life, But My Horses And My Dogs Are Everything Else.

Even One Word, Or Certainly One Sentence, Should Be Able To Describe The Basic Characteristic That The Scene Has, Or The Character Has, Or The Story Has. And Then You Begin To Detail That One Spine, And You Have Offshoots From That Spine, And It Becomes More And More Complex, But All Of It Stems From That One-word, One-line Theme, Which Can Give The Character, The Scene, Or The Play Its Uniqueness.