That Which We Remember Of Our Conduct

We May, Indeed, Say That The Hour Of Death Is Uncertain, But When We Say This We Think Of That Hour As Situated In A Vague And Remote Expanse Of Time; It Does Not Occur To Us That It Can Have Any Connexion With The Day That Has Already Dawned And Can Mean That Death -- Or Its First Assault And Partial Possession Of Us, After Which It Will Never Leave Hold Of Us Again -- May Occur This Very Afternoon, So Far From Uncertain, This Afternoon Whose Time-table, Hour By Hour, Has Been Settled In Advance.

We Think And Name In One World, We Live And Feel In Another.

Griefs, At The Moment When They Change Into Ideas, Lose Some Of Their Power To Injure Our Heart.

... But All The Feelings That Evoke In Us The Joy Or The Misfortune Of A Real Person Are Only Produced In Us Through The Intermediary Of An Image Of That Joy Or That Misfortune; The Ingeniousness Of The First Novelist Was In Understanding That, In The Apparatus Of Our Emotions, Since The Image Is The Only Essential Element, The Simplification Which Consists Of Purely And Simply Suppressing The Factual Characters Is A Definitive Improvement.

Things Don't Change, But By And By Our Wishes Change.