Spaceman 3 Was One Of My Favorite

I Like Working With Family And Friends And People I Admire. All My Movies Are Filled With Family Members Of Some Capacity. I Think It Means More When You Have A Personal Relationship With Someone.

For Me, Making A Movie Is Kind Of Like Vomiting. Not That Film Is Like Vomit, But More Like This Mass Of Ideas And Thoughts That You Have And Just Have To Put Them Out There. It's Not Even About Making Perfect Sense - It's More About Making Perfect Nonsense. I Don't Do Too Much Soul-searching Or Self-analysis. I Just Enjoy Making Things.

I Like Things That Are Never One Way. Usually, Emotionally, I Make The Films Based On A Type Of Energy. I Try To Work With Things That Are More Difficult To Articulate. And So, That's More Of A Feeling. And So, The Things That Have Attracted Me Are More Of The Things That Are Morally Complicated Or Emotionally Complicated.

The First Time I Hung Out With [david Blaine], He Took Me To This Condemned Building, And It Had A Pizza Oven And He Crawled Into The Pizza Oven And Turned The Heat On To 400 Degrees Or Something Like That, And He Stayed In It For I Guess A Half Hour. He Came Out, And Except For One Or Two Second-degree Burns, He Was Unscathed. You Meet A Lot Of Musicians And Filmmakers And Actors, But It's Rare To Meet Someone Who Can Step Inside A Pizza Oven And Take The Heat. I Was Intrigued By That.

I Never Cared About Making One Coherent Masterpiece With A Conventional Narrative. I Always Wanted My Movies To Have Images Falling From All Directions In A Vaudevillian Way. If You Didn't Like What Was Happening In One Scene, You Could Just Snooze Through It Until The Next Scene. That Was The Thing About Vaudeville: You Didn't Have To Worry About The Beginning And Ends Of These Things.