Rose: But Now You Know There Was

I Pick My Feature Film Battles Very Carefully. They're Going To Be Personal And They're Going To Take A Lot Of My Energy. I'm Not Going To Be Some Big Production Company And Be Jerry Bruckheimer Or Something Like That. It Doesn't Interest Me.

Every Time My Cameras Go Out On A Movie, We Learn Something New And Then We Take What We Learn And We Put It Into The Next Generation Of The Cameras So We're Constantly Improving. It's Kind Of Like Building A Race Car, Racing It, Then Running Back To The Shop And Working On The Engine Some More And Tinkering With It To Improve It.

Everybody's Going To Do The 3d Slightly Differently The Same Way That People Are Going To Deal With Color Differently. Some Movies Downplay The Color, Some Color Is Very Vibrant. Color Design Is Very Different. We've Got To Think Of 3d Like Color Or Like Sound, As Just Part Of The Creative Palette That We Paint With And Not Some Whole New Thing That Completely Redefines The Medium.

Hate Is A Disease, And In 1930 I Became Sick With Hatred.

The Films That Influenced Me Were So Disparate That There's Almost No Pattern.