People Are Going Deaf Because Music Is

Speed Is The Form Of Ecstasy The Technical Revolution Has Bestowed On Man. As Opposed To A Motorcyclist, The Runner Is Always Present In His Body, Forever Required To Think About His Blisters, His Exhaustion; When He Runs He Feels His Weight, His Age, More Conscious Than Ever Of Himself And Of His Time Of Life. This All Changes When Man Delegates The Faculty Of Speed To A Machine: From Then On, His Own Body Is Outside The Process, And He Gives Over To A Speed That Is Noncorporeal, Nonmaterial, Pure Speed, Speed Itself, Ecstasy Speed.

This Was Exactly What The Girl Had Most Dreaded All Her Life And Had Scrupulously Avoided Until Now: Lovemaking Without Emotion Or Love. She Knew That She Had Crossed The Forbidden Boundary, But She Proceeded Across It Without Objections And As A Full Participant; Only Somewhere, Far Off In A Corner Of Her Consciousness, Did She Feel Horror At The Thought That She Had Never Known Such Pleasure, Never So Much Pleasure As At This Moment--beyond That Boundary.

While People Are Fairly Young And The Musical Composition Of Their Lives Is Still In Its Opening Bars, They Can Go About Writing It Together And Sharing Motifs (the Way Tomas And Sabina Exchanged The Motif Of The Bowler Hat), But If They Meet When They Are Older, Like Franz And Sabina, Their Musical Compositions Are More Or Less Complete, And Every Motif, Every Object, Every Word Means Something Different To Each Of Them.

But If God Is Gone And Man Is No Longer Master, Then Who Is Master?

I Am Not In Favor Of Imposing Happiness On People. Everyone Has A Right To His Bad Wine, To His Stupidity, And To His Dirty Fingernails.