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Painting Is Consequently An Almost Blind, Desperate Effort, Like That Of A Person Abandoned, Helpless, In Totally Incomprehensible Surroundings.
-Gerhard Richter
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Painting Is Consequently An Almost Blind, Desperate
Gerhard Richter
Painting Is Consequently An Almost Blind, Desperate Effort, Like That Of A Person Abandoned, Helpless, In Totally Incomprehensible Surroundings.
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To Talk About Paintings Is Not Only Difficult But Perhaps Pointless Too. You Can Only Express In Words What Words Are Capable Of Expressing-- What Language Can Communicate. Painting Has Nothing To Do With That.
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Theory Has Nothing To Do With A Work Of Art. Pictures Which Are Interpretable, And Which Contain A Meaning, Are Bad Pictures. A Picture Presents Itself As The Unmanageable, The Illogical, The Meaningless. It Demonstrates The Endless Multiplicity Of Aspects; It Takes Away Our Certainty, Because It Deprives A Thing Of Its Meaning And Its Name. It Shows Us The Thing In All The Manifold Significance And Infinite Variety That Preclude The Emergence Of Any Single Meaning And View.
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I Started Doing 'figures', Then, One Day, All Of A Sudden, I Started Doing Abstraction. And Then I Started Doing Both. But It Was Never Really A Conscious Decision. It Was Simply A Question Of Desire. In Fact, I Really Prefer Making Figurative Work, But The Figure Is Difficult. So To Work Around The Difficulty I Take A Break And Paint Abstractly. Which I Really Like, By The Way, Because It Allows Me To Make Beautiful Paintings.
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Talk About Painting: There's No Point. By Conveying A Thing Through The Medium Of Language, You Change It. You Construct Qualities That Can Be Said, And You Leave Out The Ones That Can't Be Said But Are Always The Most Important.
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