Myths Are Wonderful - They Really Tell

My M.o. As Far As Choosing Projects Is I Really Try Not To Work. I Try To Not Do The Scripts That Are Offered Me. I'm In This Wonderful Position To Be Able To Do That. The Reason I Do That Is Because I Know What It Takes Once I Engage, What That Means For Me Personally And For My Wife.

You Kind Of Notice What's Going On In Your Body, And You Can Kind Of Feel A Certain Tightening, Or Fear, Which Is Something That, As An Artist, I've Kind Of Befriended. I Can Pretty Much Count On It For Anything That I Engage In - That Thing Like, "am I Going To Be Able To Pull This Off?" Well, What Am I Gonna Do With This Feeling? The More Nervous You Get, The More Worried You Get About It. So You Pay Attention To What You Might Need.

I'm One Of Those Guys Who Will Drink To, Uh, Kind Of Celebrate. I Don't Drink Too Much When I'm Down Or Anything Like That. But You've Really Got To Be, I Guess The Word That Came To Mind Is "creative," About The Way You're Celebrating. You Want To Keep The Celebration Going. I've Learned That Lesson Over And Over. Here On The Road There's A Lot Of Cause For Celebration, But You Just Gotta Get The Damper Out A Little Bit, And You Want To Keep That Governor On. You Want To Keep Your Give-a-shitter In Kick.

I Just Hope That Theaters Remain. I Think There's Something Very Wonderful About Getting Into A Dark Room With A Bunch Of People. There's Something Cool About That. Brings Us All Together In One Room Where We Can Experience All Those Emotions.

I Really Try Hard Not To Work, Not To Engage, Because I Know What That Means. What Hard Work It Is; It Takes Me Away From My Family.