Most Of Us Are Searching-consciously Or Unconsciously-

You Can Always Make A Film Somehow. You Can Beg, Borrow, Steal The Equipment, Use Credit Cards, Use Your Friends' Goodwill, Wheedle Your Way Into This Or That Situation. The Real Problem Is, How Do You Get People To See It Once It Is Made?

When I'm Actually Assembling A Scene, I Assemble It As A Silent Movie. Even If It's A Dialog Scene, I Lip Read What People Are Saying.

Most Of Us Are Searching-consciously Or Unconsciously- For A Degree Of Internal Balance And Harmony Between Ourselves And The Outside World, And If We Happen To Become Aware-like Stravinsky- Of A Volcano Within Us, We Will Compensate By Urging Restraint. By That Same Token, Someone Who Bore A Glacier Within Them Might Urge Passionate Abandon. The Danger Is, As Bergman Points Out, That A Glacial Personality In Need Of Passionate Abandon May Read Stravinsky And Apply Restraint Instead.

Every Film Is A Puzzle Really, From An Editorial Point Of View.

As I've Gone Through Life, I've Found That Your Chances For Happiness Are Increased If You Wind Up Doing Something That Is A Reflection Of What You Loved Most When You Were Somewhere Between Nine And Eleven Years Old. [...] At That Age, You Know Enough Of The World To Have Opinions About Things, But You're Not Old Enough Yet To Be Overly Influenced By The Crowd Or By What Other People Are Doing Or What You Think You 'should' Be Doing. If What You Do Later On Ties Into That Reservoir In Some Way, Then You Are Nurturing Some Essential Part Of Yourself.