Manhattan Is An Accumulation Of Possible Disasters

Lagos Was A City That Had Been Turned Against Itself. There Was A Bridge That Became The Perfect Trap For Crimes, Which Began With Nails Being Scattered To Cause Flat Tyres. If The Driver Stopped, The Car Would Be Dismantled In 20 Minutes And The Parts Thrown Overboard [to People Waiting Below]. The System Had Turned Into A Kind Of Destructive Device That Could Be Used Against People. That Was The Narrative.

It Was A Book [george Packer Written On Our Presence In Nigeria] That Was Killed By The Response Of Other People. Which Sounds Quite Cowardly, Perhaps, But It Was The First Manifestation Of What Is Currently A Really Big Issue: How Political Correctness Defines The Limits Of What You Can Do. In That Sense, It Was Super-exciting And Maybe The Most Magical Project We Did, But At The Same Time Fraught With Mixed Feelings.

I Studied In London In 1968. Our School Had A Separate Department Of Tropical Architecture. Of Course It Was Totally Unfashionable, Partly Because Nobody Wanted To Think About Colonialism, But Basically What You Learned There Was That, Ok, The Sun Is Here, So You Should Create Natural Ventilation Here - An Unbelievable Amount Of Really Sound Principles That Have Been Completely Abandoned, So Now Everything Is Air Conditioned With Big Machines.

In A Script, You Have To Link Various Episodes Together, You Have To Generate Suspense And You Have To Assemble Things - Through Editing, For Example. It's Exactly The Same In Architecture. Architects Also Put Together Spatial Episodes To Make Sequences.

It Is Not Possible To Live In This Age If You Don't Have A Sense Of Many Contradictory Forces.