[literature Is] A Process Of Producing Grand,

In My Terms, I Settled For The Realities Of Life, And Submitted To Its Necessities: If This, Then That, And So The Years Passed. In Adrian's Terms, I Gave Up On Life, Gave Up On Examining It, Took It As It Came. And So, For The First Time, I Began To Feel A More General Remorse - A Feeling Somewhere Between Self-pity And Self-hatred - About My Whole Life. All Of It. I Had Lost The Friends Of My Youth. I Had Lost The Love Of My Wife. I Had Abandoned The Ambitions I Had Entertained. I Had Wanted Life Not To Bother Me Too Much, And Had Succeeded - And How Pitiful That Was.

Because Love Is The Meeting Point Of Truth And Magic. Truth, As In Photography; Magic, As In Ballooning.

(on Grief) And You Do Come Out Of It, That’s True. After A Year, After Five. But You Don’t Come Out Of It Like A Train Coming Out Of A Tunnel, Bursting Through The Downs Into Sunshine And That Swift, Rattling Descent To The Channel; You Come Out Of It As A Gull Comes Out Of An Oil-slick. You Are Tarred And Feathered For Life.

I Have An Instinct For Survival, For Self-preservation.

You Can't Have A Novel Without Real, Believable People, And Once You Get Into Either Too Theoretical A Novel Or Too Philosophical A Novel, You Get Into The Dangers That The French Novel Has Discovered In The Past 50 Or 60 Years. And You Get Into A Sort Of Aridity. No, You Have To Have Real, Identifiable People To Whom The Reader Reacts In A Way As If They Were Real People.