It Seems Strange To Me That Someone

What I Have To Do Is Utilize As Best I Can The Ideas Which Objects Suggest To Me, Connect, Fuse, And Color In My Way The Shadows They Cast Within Me, Illumine Them From The Inside. And Since Of Necessity My Vision Is Quite Different From That Of The Next Man, My Painting Will Interpret Things In An Entirely Different Manner Even Though It Makes Use Of The Same Elements.

It Is My Misfortune - And Probably My Delight - To Use Things As My Passions Tell Me. What A Miserable Fate For A Painter Who Adores Blondes To Have To Stop Himself Putting Them Into A Picture Because They Don't Go With The Basket Of Fruit! . . . I Put All The Things I Like Into My Pictures. The Things - So Much The Worse For Them. They Just Have To Put Up With It.

[in Developing Your Potential] ... I Don't Develop; I Am

When There's Dust Missing Here Or There, It's Because Someone Has Touched My Things. I See Immediately Someone Has Been There. And It's Because I Live Constantly With Dust, In Dust, That I Prefer To Wear Gray Suits, The Only Color On Which It Leaves No Trace.

What Other Movement Determines The S Line? Its Aesthetic Efficacity Has Long Been Noted By Artists.