It's Not Quite The Same As Other

With Kids, The Days Are Long, But The Years Are Short.

Some Kids Are Fine, But Often I Don't Like What I See In Child Actors. My Kids Are Young And They Are Already Showing An Interest, So I Have To Try To Discourage Them, Squash That In Them.

I Did 40 Voices For Chris Wedge, The Director Of The First Film, Before Coming Up With The Version We Used. He Was Hard To Please, I Don't Know Why. I Gave Him Really Slow Talking Voices. Then I Thought Perhaps Sid Could Be An Indian Sounding Sloth. To Find Out More About My Character, I Watched Footage Of Sloths. I Discovered That The Food They Store In Their Pouches Rots And Ferments And Half The Time They're Drunk.

Very, That Show Is Crazy. It Was Like Doing Finals Every Week. It Was Interesting. I Really Learned A Lot. The Dialogue Is So Technical. I Was So Impressed Watching The Other Actors And How They Managed, So I Studied Them. And I Was Blown Away Thinking: "how Do They Do That? How Do They Put That Extra Spin On The Complicated Dialogue To Make It Interesting?

[brad Furman] Wants To Try Stuff, He's Willing To Try Stuff. And He Wants Electricity On The Camera. And That's What I Want, I Want Electricity Whenever I'm Performing.