It's Not A Question Of Getting The

Whatever It Takes To Get The Image To Reach That Level Is What That Photographer Needs To Do. And For Me, I Just Have Such A Love Of The Tactile And Sensuous Quality Of A Black And White Silver Gelatin Print.

To Me, Photography Is 90% A Retrospective Experience. There's The Part Of Pursuing The Image, And Exposing The Film, But Once You Make The Exposure, You're Always Looking Backwards In Time. I Like That Aspect Of Photography.

It Was Amazing To Watch Him In The Darkroom At An Advanced Age, Still Get Excited When The Results Were Pleasing. He Still Struggled Like We All Do In The Darkroom And He Struggled Behind The Camera, And When He Had A Success He Was Beaming.

I Really Don't Have Any Secrets. I've Never Met A Photographer Whose Work I Respected That Had A Secret Because The Secret Lies Within Each And Every One Of Us.

The Reason I Do Workshops Is So I Can Learn, And I Am Fortunate That I've Probably Gained More From The Whole Experience Of Teaching Than Any One Participant Has. It Is All About Asking.