It's More Enjoyable To Shoot In A

Never Say No. It Always Depends On What's Possible. I Don't Care So Much Where It Is; It's What I Want To Do That Matters.

The Trouble Is That When You Read Criticisms About The Other Films That I've Made You Get The Impression That They're All About Themes, Or Problems, Or Ideas. But Those Are Actually Things That Develop Out Of Characters, Out Of Images And Out Of Other Things. These More Abstract Things Develop While Working On The Material, And Out Of It. It's Not A Theoretical Exercise From The Outset.

My Father And I Had A Good Relationship, It Was Very Relaxed. He Had A Lot Of Humour. He Looked A Little Bit Like Me, Although He Had No Beard. He Had The Appearance Of A Very Elegant British-looking Man.

If You Do An Original Film And You Want To Cut A Scene Out You Do It. But When You Do A Shot By Shot Remake You Don't Have That Option And Every Scene Has To Work Again.

I Learned My Business In The Theater And In Television, Particularly Working With The Actors. You Can Learn Much More In The Theater Than Directing A Movie, Because Then You Have No Time When You Are Shooting A Movie To Really Work With The Actors. You Have To Learn This Craft Somewhere Else.