It's Funny Now How Much We Look

I'm Into People's Emotional Lives And Relationships And The Complications Of Living. That's My Turf.

Ok, So My Parents Were Married In 1955 And My Mom Knew My Dad Was Gay And My Dad Knew He Was Gay And So I Was, Like, 'why In The Heck Did You Get Married?' Like, What Was Going On? What Was That Time? It's Like This Crazy Paradox That My Whole Life Is Based On, Or My Family's Based On. So I Spent A Lot Of Time Trying To Understand '55.

To Me It's Like, Every Time I'm A Director, Like Today, You're The Captain Of The Ship, So You Better Dress Like It. You're The Host Of The Party.

I Would Hate To Think I'm Promoting Sadness As An Aesthetic. But I Grew Up In Not Just A Family But A Town And A Culture Where Sadness Is Something You're Taught To Feel Shame About. You End Up Chronically Desiring What Can Be A Very Sentimental Idea Of Love And Connection. A Lot Of My Work Has Been About Trying To Make A Space For Sadness.

I Guess I Watch Movies To Make Myself Happier A Lot.