It Is Only The Inferior Thinker Who

The Poetical Tendency Of The Present And Of The Preceding Century Has Been Divided In A Manner Singularly Curious. One Loud And Conspicuous Faction Of Bards, Giving Way To The Corrupt Influences Of A Decaying General Culture, Seems To Have Abandoned All The Properties Of Versification And Reason In Its Mad Scramble After Sensational Novelty; Whilst The Other And Quieter School Constituting A More Logical Evolution From The Poesy Of The Georgian Period, Demands An Accuracy Of Rhyme And Metre Unknown Even To The Polished Artists Of The Age Of Pope.

Any Magazine-cover Hack Can Splash Paint Around Wildly And Call It A Nightmare, Or A Witches Sabbath Or A Portrait Of The Devil; But Only A Great Painter Can Make Such A Thing Really Scare Or Ring True. That's Because Only A Real Artist Knows The Anatomy Of The Terrible, Or The Physiology Of Fear.

Memory Sometimes Makes Merciful Deletions.

Behold Great Whitman, Whose Licentious Line Delights The Rake, And Warms The Souls Of Swine; Whose Fever'd Fancy Shuns The Measur'd Pace, And Copies Ovid's Filth Without His Grace. In His Rough Brain A Genius Might Have Grown, Had He Not Sought To Play The Brute Alone; But Void Of Shame, He Let His Wit Run Wild, And Liv'd And Wrote As Adam's Bestial Child.

Pessimists Are Just As Illogical As Optimists; Insomuch As Both Envisage The Aims Of Mankind As Unified, And As Having A Direct Relationship (either Of Frustration Or Of Fulfilment) To The Inevitable Flow Of Terrestrial Motivation And Events. That Is - Both Schools Retain In A Vestigial Way The Primitive Concept Of A Conscious Teleology - Of A Cosmos Which Gives A Damn One Way Or The Other About The Especial Wants And Ultimate Welfare Of Mosquitos, Rats, Lice, Dogs, Men, Horses, Pterodactyls, Trees, Fungi, Dodos, Or Other Forms Of Biological Energy.