In Portraits, The Grace And, We May

Gardening As Far As Gardening Is Art, Or Entitled To That Appellation, Is A Deviation From Nature; For If The True Taste Consists, As Many Hold, In Banishing Every Appearance Of Art, Or Any Traces Of The Footsteps Of Man, It Would Then Be No Longer A Garden.

One Inconvenience... May Attend Bold And Arduous Attempts: Frequent Failure May Discourage. This Evil, However, Is Not More Pernicious Than The Slow Proficiency Which Is The Natural Consequence Of Too Easy Tasks.

Though Colour May Appear At First A Part Of Painting Merely Mechanical, Yet It Still Has Its Rules, And Those Grounded Upon That Presiding Principle Which Regulates Both The Great And The Little In The Study Of A Painter.

Words Should Be Employed As The Means, Not The End; Language Is The Instrument, Conviction Is The Work.

The Spectator, As He Walks The Gallery, Will Stop, Or Pass Along. To Give A General Air Of Grandeur At First View, All Trifling, Or Artful Play Of Little Lights, Or An Attention To A Variety Of Tints Is To Be Avoided; A Quietness And Simplicity Must Reign Over The Whole Work, To Which A Breadth Of Uniform And Simple Color Will Very Much Contribute.