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After Pope, In The Beginning Of Romanticism, People Developed The Idea That Imagination Rather Than Reason Was A Special Form Of Knowledge And Its Best Expression Is Through Poetry. Therefore, Poetry Should Not Try To Do The Stuff That Mere Prose Does: Convey Information Or Make Arguments About Ideas.

In The Beginning Of The 19th Century, Maybe Forty Percent Of Women And Fifty Percent Of Men Could Produce A Signature, Which Meant That They'd Had At Least Three Years Of Education Because It Was In Third Grade That People Started Penmanship In The 19th Century. And Of Course Black People Could Get Killed If They Got Caught Teaching Themselves To Read In Some Parts Of The Country.

When Emily Dickinson's Poems Were Published In The 1890s, They Were A Best-seller; The First Book Of Her Poems Went Through Eleven Editions Of A Print Run Of About 400. So The First Print Run Out Of Boston For A First Book Of Poems Was 400 For A Country That Had Fifty Million People In It. Now A First Print Run For A First Book Is Maybe 2,000? So That's A Five-time Increase In The Expectation Of Readership. Probably The Audience Is Almost Exactly The Same Size As It Was In 1900, If You Just Took That One Example.

I Teach A Lecture Course On American Poetry To As Many As 150 Students. For A Lot Of Them, Its Their Only Elective, So This Is Their One Shot. Theyll Take The Russian Novel Or American Poetry, So I Want To Give Them The High Points, The Inescapable Poets.

You Begin To See That All Of These Things Are Connected: The Kind Of Cuts That Mean Less Environmental Protection Are Also The Kind Of Cuts That Mean Less Musical Education For The Schools And That Also Mean More Overcrowded Schools.