In Blow-up I Used My Head Instinctively!

I Never Feel Empty. I Travel A Lot And I Think About Other Films.

Sometimes Actors' Mistakes Give Me Ideas I Can Use, Because Mistakes Are Always Sincere, Absolutely Sincere.

There Can Be No Censorship Better Than One's Own Conscience.

I Never Think In Terms Of Alienation; It's The Others Who Do. Alienation Means One Thing To Hegel, Another To Marx And Yet Another To Freud; So It Is Not Possible To Give A Single Definition, One That Will Exhaust The Subject. It Is A Question Bordering On Philosophy, And I'm Not A Philosopher Nor A Sociologist. My Business Is To Tell Stories, To Narrate With Images - Nothing Else. If I Do Make Films About Alienation - To Use That Word That Is So Ambiguous - They Are About Characters, Not About Me.

My Films Have Always Had An Element Of Immediate Autobiography, In That I Shoot Any Particular Scene According To The Mood I'm In That Day, According To The Little Daily Experiences I've Had And Am Having - But I Don't Tell What Has Happened To Me. I Would Like To Do Something More Strictly Autobiographical, But Perhaps I Never Will, Because It Isn't Interesting Enough.