If You Pretend The Characters Cant Speak,

Consider: For All The Gobbledegook [film Studio] Executives Spout About Backstory, All That We, The Audience, Want To Know Is What Happens Next. That's The Only Thing That's Going On. . . . Character Is Nothing Other Than Action, And Character-driven Means The Plot Stinks, And You'd Better Hope The Star Is Popular Enough To Open The Movie In Spite Of It.

It Is The Objective Of The Protagonist That Keeps Us In Our Seats.

My Alma Mater Is The Chicago Public Library. I Got What Little Educational Foundation I Got In The Third-floor Reading Room, Under The Tutelage Of A Coca-cola Sign.

The Main Question In Drama, The Way I Was Taught, Is Always, 'what Does The Protagonist Want?' That's What Drama Is. It Comes Down To That. It's Not About Theme, It's Not About Ideas, It's Not About Setting, But What The Protagonist Wants.

The Government, For Example, Has Determined That Black People (somehow) Have Fewer Abilities Than White People, And, So, Must Be Given Certain Preferences. Anyone Acquainted With Both Black And White People Knows This Assessment Is Not Only Absurd But Monstrous. And Yet It Is The Law.