I Want Pictorial Content Without Sentiment, But

The Paint For The Grey Paintings Was Mixed Beforehand And Then Applied With Different Implements - Sometimes A Roller, Sometimes A Brush. It Was Only After Painting Them That I Sometimes Felt That The Grey Was Not Yet Satisfactory And That Another Layer Of Paint Was Needed.

Nature/structure. There Is No More To Say. In My Pictures I Reduce To That. But 'reduce' Is The Wrong Word, Because These Are Not Simplifications. I Can't Verbalize What I Am Working On: To Me, It Is Many-layered By Definition; It Is What Is More Important, What Is More True.

Family Photos, Pictures Of Groups, Those Are Truely Wonderful. And They Are Just As Good As The Old Masters, Just As Rich And Just As Beautifully Composed (what Does That Mean Anyway).

I Think Everybody Starts Out By Seeing A Few Works Of Art And Wanting To Do Something Like Them. You Want To Understand What You See, What Is There, And You Try To Make A Picture Out Of It. Later You Realize That You Can't Represent Reality At All - That What You Make Represents Nothing But Itself, And Therefore Is Itself Reality.

All Photographs Are Far More Important Than Any Painting.