I've Always Preferred Writing In Longhand. I've

I've Always Been Interested In Miracles, Or The Miraculous Of The Unexplained. I Don't Scoff At What Makes People Believe Or Want To Believe. I Think I Understand The Tremendous Attraction Of The Mysteries Of The Church To The Same Degree That I Understand And Appreciate The Frustration People Feel, Especially Believers, With The Human Rule-making Arm Of The Church, With The Not-miraculous Part Of The Church - Any Church.

Before I Began The Cider House Rules, I Thought I Wanted To Write About A Father-son Relationship That Was Closer, More Conflicted, And Ultimately More Loving, Than Most. Then I Began To Think Of A Relationship Between An Old Orphanage Director And An Unadoptable Orphan - A Kid Who Goes Out Into The World And Fails And Keeps Coming Back, So That The Old Guy Ends Up With Someone He's Got To Keep.

He Also Knew That Rivals Are Best Unmanned By Being Ignored.

The Gardener Had A Dread Of Small Women; He'd Always Imagined Them To Have An Anger Disproportionate To Their Size.

Ted Seabrooke, My Wrestling Coach, Had A Kind Of Nietzschean Effect On Me In Terms Of Not Just His Estimation Of My Limited Abilities, But His Decidedly Philosophical Stance About How To Conduct Your Life, What You Should Do To Compensate For Your Limitations. This Was Essential To Me, Both As A Student - And Not A Good One - And As A Wrestler Who Was Not A Natural Athlete But Who Had Found Something He Loved.