I've Always Been Fascinated By The Picaresque.

What We're Trying To Do Is Find Two Or More Shots The Juxtaposition Of Which Will Give Us The Idea.

The Main Question In Drama, The Way I Was Taught, Is Always, 'what Does The Protagonist Want?' That's What Drama Is. It Comes Down To That. It's Not About Theme, It's Not About Ideas, It's Not About Setting, But What The Protagonist Wants.

Culture Exists And Evolves To Relegate To Habit Categories Of Interactions The Constant Conscious Reference To Which Would Make Human Interaction Impossible.

I'm Afraid Of Only Two Things: Being Lazy And Being Cowardly.

A Good Writer Gets Better Only By Learning To Cut, To Remove The Ornamental, The Descriptive, The Narrative, And Especially The Deeply Felt And Meaningful. What Remains? The Story Remains.