I Think That The Revolution In Music

The Satisfaction Of Producing A Work Of Art Is The Thing Of Getting Off On It On Some Level.

You Can't Make Rules Regarding The Moral Behavior Of Something Unless You Know What The Hell It Is, And What It's Capacities Are. What It Can Do, What It Can't Do.

I Equate Deadheads To People That Like Black Licorice. There Aren't Many People That Like Black Licorice, But The Ones That Do, Really Really Like It! Or Buttermilk, Or Whatever.

If You Can Create A Reality That Is Entirely Fictitious, It Doesn't Owe Anything To This Stuff Out Here, But You Interact With It On Your Own Terms. I Mean, If You Took It To The Point Where Finally You Get, Say, Tactile Feedback, So You Were Wired In In Terms Of The Whole Nervous System. The Sensorium. You Would Have The Ultimate Art Form. I Mean, Any Painter Would Want It, Any Filmmaker Would Want Access To It You Know, Any Musician Would Want Access To It. It Would Eliminate The Need For The Divisions Between What We Describe As The Arts, Converting The Whole Thing To Experience.

In Reality Everybody Has Got Musical Thoughts. If You Are Able To Overcome The Part Of It Which Is Muscle Training, Which Is What Most Musical Playing Actually Is, Performance Actually Is, Is Muscle Training, And You Are Able To Convert Your Ideas Directly Into Music, You're A Musician, Too.