I Love Superman. I'm A Big Fan

The Main Question In Drama, The Way I Was Taught, Is Always, 'what Does The Protagonist Want?' That's What Drama Is. It Comes Down To That. It's Not About Theme, It's Not About Ideas, It's Not About Setting, But What The Protagonist Wants.

A Liberal Pretending To Be A Conservative? That's Like A Straight Person Pretending To Be Gay To Get Greater Acceptance.

At The Neighborhood Playhouse School Of Theatre, Sanford Meisner Said, 'when You Go Into The Professional World, At A Stock Theatre Somewhere, Backstage, You Will Meet An Older Actor, Someone Who Has Been Around Awhile. He Will Tell You Tales And Anecdotes, About Life In The Theatre. He Will Speak To You About Your Performance And The Performances Of Others, And He Will Generalize To You, Based On His Experience And His Intuitions, About The Laws Of The Stage. Ignore This Man!'

Consider: For All The Gobbledegook [film Studio] Executives Spout About Backstory, All That We, The Audience, Want To Know Is What Happens Next. That's The Only Thing That's Going On. . . . Character Is Nothing Other Than Action, And Character-driven Means The Plot Stinks, And You'd Better Hope The Star Is Popular Enough To Open The Movie In Spite Of It.

Here Is A Sovereign Talisman Against Regret: Never Do That Which Might Engender It.