I Do A Lot Of Vegas Work

Those Things Don't Happen Today. I Feel Sorry For The Kids In The Industry Today. They Have On Sunglasses, Eat Caviar In Jet Planes, But They'll Never Know The True Feeling That We Did.

One Of The Hardest Things In The World Is To Perform On Record And Get Someone To Enjoy And Feel What You're Doing. It's Unlike, Like Tv You Can, You Can Fake It With The Face And The Crying And The Bits. Recording Is Completely Different.

I Don't Care What Studio I'm In, I Don't Care What Producers Is Producing It And I Don't Care What Song It Is Because They Taught Me Those Things I Feel So Protected Wherever I Go As Far As Music.

Of Course, The Kids Who Had Never Heard Of A Person Called Ben E. King Were Then Aware Of The Name Associated With The Song. That Gave A Tremendous Lift To Me As An Artist.

In New York, I Was Excited About The Music In New York Because The Only Music That I Was More Or Less Involved With In The South Was Either Country And Western Or Hillbilly Music As We Used To Call It When I Was A Kid And, Ah, Gospel. There Was No, There Was No In Between. And When I Got To New York All The Other Musics That's In The World Just Came Into My Head Whether It Was The Classics, Jazz, I Never Knew What Jazz Was About All, Had Heard Anything About Jazz.