I Do A Lot Of Vegas Work

In New York, I Was Excited About The Music In New York Because The Only Music That I Was More Or Less Involved With In The South Was Either Country And Western Or Hillbilly Music As We Used To Call It When I Was A Kid And, Ah, Gospel. There Was No, There Was No In Between. And When I Got To New York All The Other Musics That's In The World Just Came Into My Head Whether It Was The Classics, Jazz, I Never Knew What Jazz Was About All, Had Heard Anything About Jazz.

One Minute We Can Be In A Small Club, The Next Minute We Can Be In A Coliseum, And The Next Minute We Can Be In A Small Auditorium. It Varies, Depending On The Promoter, The Budget, And The Travelling Distance.

People Abroad Always Tend To Take What The Best Of What We Have And Come Back Through The Back Door Always, Say, And Hit Us With It. And Then We Wake Up One Day And Say, I Think I've Heard That. Yeah, It Was Done By Whoever, You Know. So, Ah, That's Been One Of Our Weaknesses We Don't Tend To Hold On As They Do There.

Yeah. I'm Amateurish. I Can Play Enough To Write A Song, Or Strum On A Little Guitar To Write Out A Song. But, I Don't Play Well At All. I Wouldn't Even Attempt For A Second To Play In Public.

It's A Different Thing When You Go Into A Studio And You Record With The Intent Of Going Somewhere And You're Marketing Yourself For That Direction.