I'd Say, Go Ahead, Shoot Your Shot.

None Of The Pictures I Take A Risk In Cost A Lot, So It Doesn't Take Much For Them To Turn A Profit. We Don't Deal In Big Budgets. We Know What We Want And We Shoot It And We Don't Waste Anything. I Never Understand These Films That Cost Twenty, Thirty Million Dollars When They Could Be Made For Half That. Maybe It's Because No One Cares. We Care.

My Father Died Very Suddenly At Sixty-three. Just Dropped Dead. For A Long Time Afterward, I'd Ask Myself, Why Didn't I Ask Him To Play Golf More? Why Didn't I Spend More Time With Him? But When You're Off Trying To Get The Brass Ring, You Forget And Overlook Those Little Things. It Gives You A Certain Amount Of Regret Later On, But There's Nothing You Can Do About It. So You Just Forge On.

I Haven't Killed Anybody All Day. Help Me Keep It That Way.

Everybody Always Feels That They're Right Even If They're Wrong And That's What A Whole Actor's Career Is Built Around Rationalizing Your Way Into Whatever Character You're Playing.

I'm In The Saddle Every Day Playing A Screwball. And Then Somebody Comes Along And Says, "how Would You Like To Go To Italy And Spain And Do An Italian/spanish/german Co-production With An Italian Director Who's Only Directed One Movie?" It Wasn't Like I Was Going There To Be With Federico Fellini. But Something Was There, And I Thought, Well, I Loved This Story When It Was Told By Akira Kurosawa; Maybe This Is A Good Idea. That's An Instinctive Moment. A Fistful Of Dollars Was Made.