For Me The Experience Of Writing Is

Gardening Is Not A Rational Act. What Matters Is The Immersion Of The Hands In The Earth, That Ancient Ceremony Of Which The Pope Kissingthe Tarmac Is Merely A Pallid Vestigial Remnant.

When We're Good, We're Very, Very Good, And When We're Bad, We're Horrid. This Is Not News, Because We're So Much More Inventive And We Have Two Hands, The Left And The Right. That Is How We Think. It's All Over Our Literature, And It's All Over The Way We Arrange Archetypes, The Good Version, The Bad Version, The God, The Devil, The Abel, The Cain, You Name It. We Arrange Things In Pairs Like That Because We Know About Ourselves.

No Matter How Much You've Been Warned, Death Always Comes Without Knocking. Why Now? Is The Cry. Why So Soon? It's The Cry Of A Child Being Called Home At Dusk.

I Grew Up Amongst Biologists.

The Temptation Is To Stay Inside; To Subside Into The Kind Of Recluse Whom Neighborhood Children Regard With Derision And Little Awe; To Let The Hedges And Weeds Grow Up, To Allow The Doors To Rust Shut, To Lie On My Bed In Some Gown-shaped Garment And Let My Hair Lengthens And Spread Out Over The Pillow And My Fingernails To Sprout Into Claws, While Candle Wax Drips Onto The Carpet. But Long Ago I Made A Choice Between Classicism And Romanticism. I Prefer To Be Upright And Contained—an Urn In Daylight.