For A Painter As Abstract As Myself,

If You Give A Child Something Very Complex To Paint, Such As A Bouquet Of Flowers Or A Natural Landscape, If He Is Very Good, Eventually He Will Get Back - Like Cezanne - To The Essential Forms Of What He Sees.

Every Intelligent Painter Carries The Whole Culture Of Modern Painting In His Head. It Is His Real Subject, Of Which Everything He Paints In Both An Homage And A Critique, And Everything He Says Is A Gloss.

It's Not That The Creative Act And The Critical Act Are Simultaneous. It's More Like You Blurt Something Out And Then Analyze It.

The Abstractness Of Modern Art Has To Do With How Much An Enlightened Mind Rejects Of The Contemporary Social Order.

An Odd Contradiction, If The Layman Were Correct In His Unconscious Assumption That An Artist Begins With Reality And Ends With Art: The Converse Is True - To The Degree That This Dichotomy Has Any Truth - The Artist Begins With Art, And Through It Arrives At Reality.